Introduction:
Released in March 1969, “Marley Purt Drive” stands as a fascinating moment in the evolution of the Bee Gees. Originally a band known for their catchy pop melodies and tight harmonies in the mid-1960s, “Marley Purt Drive” emerged from a period of creative and personal upheaval for the Gibb brothers.
The song itself is part of the critically acclaimed album Odessa, a project that marked a significant artistic departure for the band. Recorded in the latter half of 1968, Odessa showcased a shift towards a more experimental and psychedelic sound, a move away from the bubblegum pop that had initially propelled them to fame. The brothers, Barry, Robin, and Maurice Gibb, served not only as songwriters but also took on co-production duties alongside Robert Stigwood.
“Marley Purt Drive” embodies this period of change. While the song retains the unmistakable vocal blend of the Bee Gees, it ventures into a more introspective and melancholic mood compared to their earlier hits. The instrumentation is layered and lush, featuring elements of folk rock and psychedelia. The exact meaning of the song’s title remains open to interpretation, adding to its enigmatic quality.
Odessa, including “Marley Purt Drive”, was met with positive critical reception upon its release. However, it failed to achieve the same level of commercial success as their previous albums. This, coupled with internal tensions within the band, particularly surrounding the final mix of the album, led to a temporary break-up. Robin Gibb, frustrated with the direction and the lack of focus on his own songwriting contributions, left the group in March 1969, shortly after the release of “Marley Purt Drive.”
Despite the commercial and personal turmoil surrounding its release, “Marley Purt Drive” holds a significant place in the Bee Gees’ legacy. It serves as a testament to their artistic ambition and willingness to experiment, even at the risk of alienating their established fanbase. The song’s influence can be heard in the band’s later work, particularly their foray into the disco sound in the mid-1970s. Today, “Marley Purt Drive” is appreciated by fans for its unique sound and its historical context within the Bee Gees’ evolving musical journey.
Video:
Lyrics:
Sunday morning, woke up yawning, filled the pool for a swim,Pulled down the head and looked in the glass just to see if I was in,Went up the stairs and kissed my woman to make her come alive’cause with fifteen kids and a family on the skids,I got to go for a Sunday drive.Fifteen kids and a family on the skids,I got to go for a Sunday drive.
That’s how they are, so I grabbed out the car, convertible fifty-nine,Headed to the freeway, tried to find the Pasadena sign.Ten miles and three quarters, I wasn’t feeling any more alive,’cause with fifteen kids and a family on the skids,I got to go for a Sunday drive.Fifteen kids and a family on the skids,I got to go for a Sunday drive.
I used to be a minstrel free with a whole lot of bread in my bag.I used to feel that my life was real, but the good Lord threw me a snag.Now I’m gonna be the same as me, no matter how I try.‘Cause with fifteen kids and a family on the skids,I got to go for a Sunday drive.Fifteen kids and a family on the skids,I got to go for a Sunday drive.
Turned ’round the car and headed for home; I guess I realized my fate.Ten miles and three quarters more, I pulled up outside the gate.Twenty more kids were stood inside and that made thirty-five.‘Cause with an orphanage full of thirty-five kids,I got to go for a Sunday drive.An orphanage full of thirty-five kids,I got to go for a Sunday drive.
Sunday morning woke up yawning, filled the pool for a swim,Pulled down the glass and looked in the mirror just to see if I was in,Went up the stairs and kissed my woman to make her come alive,’cause with an orphanage full of thirty-five kids,I got to go for a Sunday drive.An orphanage full of thirty-five kids,I got to go for a Sunday drive.
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