Introduction:
In 1964, amidst the vibrant tapestry of the American pop scene, a young artist named Gene Pitney emerged with a song that resonated deeply with a universal human experience: the pangs of unrequited love. Titled “It Hurts To Be In Love”, the track transcended the boundaries of a simple pop tune, becoming a poignant anthem for those grappling with the emotional turmoil of loving someone who doesn’t reciprocate those feelings.
Composed by the songwriting duo of Howard Greenfield and Helen Miller, “It Hurts To Be In Love” belonged to a specific musical movement known as the “Brill Building Sound”. This distinct style, named after the legendary New York City office building where countless songwriters churned out hits, was characterized by its catchy melodies, sophisticated arrangements, and emphasis on teenage themes.
While Pitney was known for his powerful vocals and dramatic ballads like “Town Without Pity” and “(The Man Who Shot) Liberty Valance,” “It Hurts To Be In Love” marked a slight departure. The song leaned closer to a straight-ahead rock and roll sound, featuring a driving beat, prominent piano chords, and impassioned backing vocals. Interestingly, the track’s arrangement and backing elements were actually recorded by Neil Sedaka, another prominent figure in the Brill Building scene, due to contractual issues between Pitney and his previous collaborators.
Released in 1964, “It Hurts To Be In Love” became an instant success. The song cracked the Top 10 on the Billboard Hot 100 chart, solidifying Pitney’s position as a rising star and showcasing his ability to connect with audiences on a deeper emotional level.
The song’s enduring appeal lies in its raw honesty. The lyrics, though not included here, paint a vivid picture of the protagonist’s internal struggle. The constant ache, the yearning for affection, and the bitter realization of one-sided love are laid bare, resonating with anyone who has ever experienced the vulnerability of unrequited emotions.