Introduction:
Vern Gosdin’s 1983 classic, “If You’re Gonna Do Me Wrong, Do It Right”. Now that’s a song that takes you back to a simpler time in country music, doesn’t it? Back when heartache wore a ten-gallon hat and a shiny belt buckle. Gosdin, a true legend of the genre, was known for his smooth baritone and his way of weaving tales of everyday folks facing everyday troubles. “If You’re Gonna Do Me Wrong, Do It Right” is a prime example of that.
Released in February of ’83, the song became the title track and lead single for Gosdin’s album of the same name. It wasn’t just another album filler, though. “If You’re Gonna Do Me Wrong, Do It Right” rocketed up the Billboard Hot Country Singles & Tracks chart, peaking at number five. That kind of success doesn’t happen by accident. The song struck a chord with audiences, and for good reason.
Now, Gosdin wasn’t the only talent behind this hit. He co-wrote the song with another country music heavyweight, Max D. Barnes. Barnes, a prolific songwriter himself, penned countless country classics throughout his career, and “If You’re Gonna Do Me Wrong, Do It Right” stands proudly among them.
But a great song needs more than just good writing. It needs the right production to bring it to life. Here’s where the ever-reliable Billy Sherrill steps in. Sherrill, a name synonymous with the countrypolitan sound of the 1960s and 70s, was the song’s producer. He knew how to take a country song and give it that polished, mainstream appeal, all while staying true to its roots. Under Sherrill’s guidance, “If You’re Gonna Do Me Wrong, Do It Right” found its perfect balance – a catchy melody, relatable lyrics, and a sound that resonated with both country traditionalists and newcomers to the genre.
Now, let’s talk about the song itself. “If You’re Gonna Do Me Wrong, Do Bitter” isn’t your typical break-up ballad. Sure, there’s heartbreak at its core, but Gosdin delivers it with a healthy dose of sarcasm and a touch of dark humor. It’s the story of a man who’s been wronged by his lover, but instead of begging her to stay, he throws everything but the kitchen sink at her as she prepares to leave. There’s a closet full of new dresses, a brand new car waiting outside, and a not-so-subtle request for her to wear her best perfume – a final, bitter goodbye.
“If You’re Gonna Do Me Wrong, Do It Right” is a song that stays with you long after the last note fades. It’s a testament to Vern Gosdin’s storytelling ability, Max D. Barnes’ songwriting prowess, and Billy Sherrill’s production magic. It’s a country classic, pure and simple, and a reminder of a time when country music wasn’t afraid to wear its heart on its sleeve, even if that heart was a little bruised and battered.